As much as the show at Robert Henry might be too formal for
my liking, Wessel Castle is a little too artistic (in the pejorative) for my
liking. But again, the presence of two different photography shows at 56 Bogart
seems like a real tipping point for photography finding a foot hold in Bushwick,
and I am psyched. Now, don’t get me wrong. I very much like the photographs in
the show. They do a good job of highlighting the absurdities of the random
signs and objects seen along the long stretches of well-traveled road between
populated destinations in the more spread-out parts of our country. The
pictures often abstract these oddities into attractive but perplexing markers
of humanity and culture.
There is a wonderful artist book on sale at the gallery that
reprints many of the pictures form the show on colored paper, even further
abstracting, highlighting and disorienting these common road-trip scenes. My
issue comes more with the sculptural aspect of the show, where an image is displayed
in an upside down plastic storage bin or framed in what appears to be a protective
wrapping of some sort. Others are stacked on shelves like the art on sale at
Ikea. There might a conceptual explanation for all of this, but none of it was apparent
from being in the space. Nor did the sculptural gestures seem to interact
effectively with the actual pictures. It all seemed like a step too far. That
said, I loved that they created their own prints of Tyvek logo and warped the wall
behind the desk in them, something I would have loved to see cover the entire
space. But still, two maybe not perfect but certainly quality shows of
photography at the Bogart building at the same time seems like a good thing
going forward for photography.
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2 comments:
What did the wall text say?
I think their was an artist statement posted but don’t remember anymore what it said
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