In his new Air Jordan 7s paintings, there is something both utterly enticing and repellent in his soft, slightly muted, almost commercial plastic-like color palate. They function like the other side of the coin of his earlier tie-dyed paintings; instead of the colors being over the top, the new paintings are so neutral in palate that the color becomes almost nonexistent. Yet the paintings are fantastic, and the excitement stems from Mahler so actively courting that line between triumph and failure. The work operates not unlike sneaker culture, does for me where on some primordial lower brain, junior-high level, I very much want cool new sneakers but at the same time, I feel that most new cool sneakers are just a little too garish for me to wear at my age and maintain any kind of dignity. It’s a desire and a simultaneous shame for desiring, which is a wonderfully complex reaction for a series of abstract paintings to elicit. All of which is helped by the paintings being hung on a lovely white metal grid that floats off the wall. The grid makes the paintings seem like they are on the pristine white display racks of a large shoe store.
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Sardine (286 Stanhope St. Ground Floor, Btw. Wyckoff & Irving Aves., Brooklyn)
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