Pretty reminiscent of Lyndsy Welgos’s work over at Rawson
Projects where she paired images from the Metropolitan Museum of Art’s
collection with photoshopped color swaths, creating a cheeky look at institutional
presentation while creating inventive abstractions from vernacular images. Tate
takes still-lifes of an odd assortment of scientific objects and pairs them
with other scientific still-lifes or swaths of color, creating an enjoyable mix
of the abstract and utterly objective, which, come to think of it, is a good metaphor
for photography.
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