Robert Henry’s curatorial mission seems to rigorously
indulge it taste in obsessive drawings, this singular focus has become a real
strength. I find myself thinking about how each show fits into the gallery’s
vision. When running a quality gallery, I imagine the question must often
arise, how do you account for your taste with out letting the shows become
repetitive and stale. Robert Strati’s work fits in very nicely with Robert
Henry’s overall vision. His large schematic drawings of incomprehensible
machines are enjoyable in their precision, skilled in their bluish palate, and work
well with some of the gallery’s earlier science-based shows. But the real star
is the delicate and peculiar wire and tape (?) sculptures that are reminiscent
of blimp-manufacturing ephemera from a scientist in a Terry Gilliam movie. The
sculptures are intricate, very line based and feature balloons with the lines
going from the two-dimensional to three. This makes the large drawings feel
less theoretical and more practical. The transformation from the potential of
the drawings the practicality of the sculptures is a lot of fun, and it
certainly moves forward the artistic vision Robert Henry Contemporary has been developing.
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