Hard Cry is a
quality group show, but as is often the case, I was there for the photography, specifically
the work of Ryan Oskin. I very much enjoy Oskin’s work, and the piece in Hard Cry could be my favorite. There is
something very bleak about the harsh light bleaching out the rocks in the
photograph that suggest a scenic overlook parking lot somewhere out west. A
wonderful setting for a vibrantly green Sprite bottle floating in the air. It’s
a spectacularly attractive picture and a great setup for Oskin’s interjection
into the image by (I think) frosting the inside of the glass of his framed
photograph, which obstructs the most stunning part of the image. I am not sure conceptually
what that achieves, but it certainly points to the picture being an object that
is separate from the moment it depicts. But what I tend to love is that it
feels a little dickish. It is also brave to obstruct the best part of what for
most photographers would be an excellent picture. The show also has a giant canvas
by Tariku Shiferaw with a large orange spray painted “X” that seemed to
reference construction sites wrapped in plastic. As in like Oskin’s piece, this
robs the viewer of one of the base joys in painting, that is, of wallowing in
surface.
Already Down
Lubov (373 Broadway, #207, Btw. White & Franklin Sts.)
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