This
could be the best edit of Koudelka’s panoramas I’ve ever seen, and it almost
makes me not hate the format. The locations and how he has photographed them
certainly create an otherworldly place right out of a very depressing Fellini
movie. But I still have a hard time with the panoramic frame, which somehow
makes the images feel a little cheap. Now that I think about it, that is a real
testament to Lois Conner’s ability to use such an unforgiving format and
produce quality work.
Through Feb. 14th
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