I had a friend complain about the lack of love for op art. Well, I gotta say, computers really seem to have opened some stuff up for op art painters. Thompson’s paintings looks like very faint digital images that have been enlarged and stretched so that the squares of information are barely visible and the space between them forms a white screen on top. This creates some very lovely large minimalist paintings with mild hints of color under a light haze that bounces and undulates as your eye struggles to find a plane of focus. And, as if to show some dexterity, three large, aggressive black and gray paintings with wide, thick brush strokes feel as heavy as the white paintings feel light.
Through Feb. 21st